Vansire at The Regent Theater 7/23/24

Vanisre, taken by Atikis Curiel

Vansire is a gem of a band. The indie, lo-fi, and techno sounds they produce are otherworldly at times. They have a song for almost any moment in your life. It can be your daily commute to work, and you catch a beautiful sunrise or sunset. A fond memory that you treasure. Songs such as "Brown Study" and one of their most popular ones, "From Subway Train," serve as these songs for your "main character" moments that you may experience in your life.  

Their sound is like no other, and the vocals from lead singer Josh Augustin are undoubtedly one of the most unique I've heard. It fits hugely with every track, robotic but in a good way; it's pronounced, and when you hear it, you know you're listening to Vanisre.

I forgot exactly how I first came across Vansire in 2019. The first song was "From Subway Train". It is a fantastic song, but it is only 57 seconds long. It's an angelic song, limited to 57 seconds. I had it on repeat. They have since come out with an extended version that extends the song from 57 seconds to 2 and a half minutes, a very generous bump to such a great track.

Front man Josh Augustin, taken by Atikis Curiel

So, ever since then, I have wanted to see them live. But then COVID hit and messed up many tour dates for not only them but for the majority of musicians. My luck changed early this year when they announced three shows, and their third and last show? Los Angeles.

This show would take me back to The Regent Theater. The last time I was here was in March to see Loving. It was good to be at a familiar venue. This would have been a better venue if I weren't for the slanted pit; it does a number on your back.

The opener for this show was Juno 60. It was a band I needed to familiarize myself with, but they had a decent set. It's not my taste in music, but they were good.

Shortly after, Vansire came on the stage and started the set with "The Latter Teens," a great song with great melody and lyrics, like you're in an indie music video. You're camping in the forest with your friends, having the time of your life, or doing something adventurous.

Vansire taken by Atikis Curiel

They played possibly my favorite song from them, "Just the Right Song." It is a techno/indie song with a fantastic chorus, synthesizers, and lyrics. Augustin was surprised that the majority of the concertgoers knew the song.

Vansire's set was excellent, with fantastic music and phenomenal vibes. The crowd was lively, as was the stage. They had different instruments, like a saxophone, that they added to songs that originally never had it and played out a song longer than it originally was. It was just so cool to see the songs I listen to daily performed in a way that will forever be engraved into my mind.

This is a band that I recommend a thousand times over. They're just that good. I can't explain anything further. You must listen to them and maybe catch a show when they tour.

Harmless’ First Headlining Show at El Cid 4/4/24

Harmless at El Cid. Taken by Atikis Curiel

Nacho Cano, aka Harmless, is among my favorite musicians right now. He is one of my top ten favorite bands/artists. I have seen him two times before. He once opened for vacation in March 2022 and for Roar last year in September (article here). Following the drop of his most recent album, “Spring Eternal,” he announced via his socials that he would be having his first headlining show; I just had to be there. The energy he puts out on stage is something magical. Making the show fun, interactive, and intimate with everyone in attendance. From his references to the current meme culture or sharing a funny story, there is no way your attention cannot be on the stage he is on. And I was excited to hear a couple of songs live as well. Those songs are “Rosie,” “Maybe Next Week,” and “It’s Only You.”

This show was special as well. It was the first show I had been to with my lovely girlfriend and her very first concert. The venue for this show would take me to El Cid. This show was my first time at this venue, but it was similar in size to The Echo. So, this would be a very intimate show, given the size.

While waiting for the opener, I ran into the drummer for Harmless. He had been in every show I had seen, and it was great meeting  Mr. Knoll. I also ran into another artist that night, the lead singer for Vacations. Both were pleasant interactions, and I got a picture of them.

Kelz. Taken by Atikis Curiel

Around 8 pm, the opener for this show made her way to the stage. It was a musician who goes by Kelz. Before the show, I had yet to hear of her. Her sound is a combination of Lo-fi, indie, and bedroom pop. Her performance was terrific; most songs had the crowd moving. It is one of my favorite openers I have seen. She was a great addition to the night. She had the crowd going and was getting them ready for Harmless. After Klez’s set was finished, she thanked the crowd for attending and enjoying her set. The stage crew made some final adjustments, and now we just had to wait for the main show.

Harmless taken by Atikis Curiel

A little later, Nacho and his band members came on stage, and while they went to their respective instruments, he started playing “Pier Café,” a great song to open with, given its laid-back sound. From there on, he began playing banger after banger. The whole crowd got super hyped; everyone was dancing, jumping, and singing along to his songs. There is one song where he interacts with the crowd by taking their phone and recording or singing directly to one person. That song is “U Up?”. Seeing him interact with the crowd, elongate certain words, take selfies with a Nintendo DS camera, and do certain mannerisms is something you do not get at most concerts.

The show was such a great time. Every single song was amazing and performed with so much passion and energy. For example, the show closed with the song that most may know, “Swing Lynn,” and the crowd went wild when he played it. It’s moments like that that have to be experienced at least once. The pure thrill you get from it, the memory jogs you get when you hear the song. Harmless delivered one of the best shows I have yet to see, and I cannot wait for the next.

Loving With Fog Lake at The Regent Theater: 3/1/24

Loving, taken by Atikis Curiel

The Canadian Beatles is what describes Loving if someone were to ask me. Their music can go from melancholic to whimsical with a touch of classical piano, soft vocals, and an upbeat sound that makes you feel like a whimsical little dude. Their music is reminiscent of The Beatles, specifically the Sargent Pepper album. Hell, some band members look like they belong in The Beatles. There’s also some Indie-Folk happening in some of their songs. They’re a band you listen to any season; their entire catalog has songs that fit the vibe you may be looking for on a day you stay home or self-care days. 

I forgot how I was introduced to Loving. Spotify or YouTube recommended it. Either way, I’ve been listening to them for some time now and waiting for them to return and tour. This year was my lucky year when they released their newest album, “Any Light,” and went on a North American tour. And when the tickets went on sale, you can bet I was ready to secure mine. 

For this show, I visited The Regent Theater in downtown Los Angeles. This was my first time at this venue, and it was very similar to the ones I have been to, specifically the Vermont Hollywood venue when I saw Current Joys (Article here). The interior was pleasant, but the most eye-catching thing was the stage. The main appeal of it was how there was an arch of lights that immediately drew your eyes to it. There is one complaint I do have, though; it is more of a personal gripe. The floors sloped just a bit because it was once a movie theater to which the aisles would descend. So, come with a back brace if you have a not-so-good back, as I do. 

Fog Lake taken by Atikis Curiel

The opener for this show was a solo act named “Fog Lake.” I had never heard of him until this concert, and I am glad they chose him as their opener because it was a phenomenal set. It was a melancholic joy; that is how I would put it. The man himself, Aaron, was a very down-to-earth and kind person. He covered “That’s How I Got to Memphis” by Tom T. Hall during his set. Suppose the song wasn’t already sad enough. Aaron and his woozy voice mixed with his slow acoustic guitar could make any man shed a tear. All in all, he was one of the best openers I’ve seen so far. 

Guitarist of Loving. Taken by Atikis Curiel

After Fog Lake finished his set, it was only about 15-20 minutes until Loving came onto the stage. Like I’ve said before, literally, the Canadian Beatles. From start to finish, it was a fantastic show. They played new songs, fan favorites, and some I was not expecting. Getting to hear “Only She Knows” live was a whimsical experience. The way the song starts with a dreamy piano and then goes into that Indie-folk sound. I also loved seeing my favorite song from them, “Bowlly Goes Dancing Drunk Into The Future,” performed. It is a very interesting name, but it is a good song.  

Seeing Loving live was spectacular. It was not a loud concert, no mosh pits or jumping around, just listening to fantastic music and vibing with fellow concertgoers. That is what you are in for when you see them live. So, if ear-ringing music isn’t your thing, being in a moving crowd isn’t either. Then, the euphonous sound of Loving is just for you. 

Loving, taken by Atikis Curiel

Overall Rating: A-Tier Show!

A Night at The Fox Theather With Twin Tribes: 1/26/23

Twin Tribes is easily one of my favorite bands out now. Their music consists of gothic, dark wave, cold wave, and post-punk music reminiscent of the late 70s and the '80s. Ever since I heard their song "Fanatasmas," I have been hooked. The band is made up of two men. Luis Navarro (lead singer and guitarist) and Joel Niño Jr (Synth/keyboard and bass guitar). This show wouldn't be my first time seeing them live. I previously saw them at the Cruel World music festival in May last year. And they were nothing short of amazing. The duo put on one of the best performances I saw that day. Everyone was captivated by their set. With every song, the intensity and electricity grew.  I knew I had to see them at an actual venue, and nearly a year later, I would be lucky enough to attend their show.  

Luis Navarro of Twin Tribes. Photo by Atikis Curiel.

This show took me to The Fox Theater in Pomona; this would be my first time attending this venue. Last October, I visited The Glass House in Pomona to see STRFK (article here). And just across the way was the Fox Theater; I didn't think I would be going back so soon, but there I was. The venue was similar to the Wiltern Theater in LA, with the inside décor being all art deco from the ceiling to the stairs and rails. It's a nice touch of classiness, unlike all the modernized venues we're used to.

I managed to get to the show early enough to get a front-row spot. I will make note that many people dress accordingly. People wore black feather coats, leather pants, some in black and white makeup, mesh clothes, big Doc Martin boots, and all the usual work. It was honestly cool to see all the different outfits. It was my first experience in this part of Gothic culture, and it went well. What I should have been aware of, however, was that there would be three opening acts. I haven't been to a concert with that many. Having three openers before the main show was an interesting idea, and it was also cool on behalf of Twin Tribes, giving exposure to three bands instead of just one.

Vandal Moon. Photo by Atikis Curiel

The first opening act, Vandal Moon, came on stage when it turned 8. They were a duo consisting of a synth player and the leader singer/guitarist. They had a fantastic set. The band sounded similar to Sisters of Mercy and the more edgy version of Gary Numan. The singer would dance on stage, and how he moved reminded me of how Dave Gahan of Depeche Mode dances on stage. It was a very energetic performance and a gripping one.

Urban Heat. Photo by Atikis Curiel

After Vandal Moon's set, the second opener of the night, Urban Heat, came on stage. And just like Vandal Moon, it was another electric performance. The main singer had a unique voice, and the music's overall sound reminded me of Nine Inch Nail's first and second albums. About midway into the show, the band covered "Goodbye Horses." It was a pleasant surprise, and they did a fantastic job covering that song; they had their unique sound but didn't stray too far from the original.

Once Urban Heat finished their set. The last opener came on stage. This time, it was led by a woman with a drummer and guitarist. The name of the band was Nuovo Tesamento. I know by now it sounds repetitive, but this set was the definition of ENERGETIC. The lead singer was dancing the entire set. She was bouncing all over the stage and must have fantastic endurance because she was singing perfectly without noticeable gasps for air or anything. Her dancing reminded me of the scene from "The Breakfast Club" when all the characters start dancing. The music itself had that 80s sound; there was no mistaking that. It was not as gothic as the previous two; it reminded me a lot of another 80s band, Berlin.

Twin Tribes. Photo by Atikis Curiel

The last opener ended around 9:45. Only fifteen minutes later, the smoke engulfed the entire stage, and the two members of Twin Tribes emerged from the fog and went to their rightful instruments. Both wore all black, with their faces pale with white makeup. After a long look at the crowd, they looked at their instruments and started to play. Their set consisted of songs from their newest album, "Pendulum." It has many tracks I was excited to hear, such as "Monolith" and "Cauldron of Thorns."

The band was just as good as they were at Cruel World, or not even better since they weren't on a 45-minute runtime. The bassist, Joel, would slowly walk side to side on some songs and stare into the crowd, mouthing the words of the song Navarro was singing, all while playing his guitar. Both men gave a mist of mystery, having no visible emotion on their faces.

  Although this concert was not as rowdy as the other ones I've been to, it still was great. I can't recall when my eyes wandered from the stage; everyone seemed to be on the same page. The band was enticing; their look, sound, and everything surrounding them demanded your attention, and you wouldn't mind giving it.

As the night ended in their encore, they played an old rock en espanol song, "Tren Al Sur." Twin Tribes aren't strangers to covering songs like this; they did the same thing at Cruel World. All in all, the show was great, and if you're into this kind of music, you have to check out Twin Tribes and, if possible, go to one of their shows.

Joel Niño Jr of Twin Tribes. Photo by Atikis Curiel

Overall Rating: A-tier. You get your money’s worth and then some!

Tourzilla! Vacations & Last Dinosaurs: 11/12/23

Vacations by Atikis Curiel

Self-proclaimed "Australia's best boy band," Vacations is undoubtedly one of my top five bands. After hearing their song "Relax" in late 2018, I could not get enough of this band. And having seen them for both LA shows last year, I certainly would not miss this one, either.

However, this time around, the tour was different. It was a double headliner with another band named Last Dinosaurs. I hadn't heard of Last Dinosaurs until the tour's announcement, but after checking out their music catalog, I was instantly a fan. The tour had an interesting name. They called it "Tourzilla," which was the most likely because it had two headlines and the opener. This would be the second show I have been to where they do this, the first being the Beach Fossil with Turnover.

Leading up to the LA show, Vacations had been releasing singles for their upcoming album that will be released next year. These singles include "Next Exit," "Terms and Conditions," and my favorite from the singles released "Midwest." And I was excited to hear these live.            

What is unique about Vacation shows is that they like to do a theme. Their last tour was a western one where they encouraged fans to dress like cowboys and cowgirls. This time around, the theme was dressing up as a movie character. I personally dressed up, and I counted a couple of other fans dressed up. I do wish more fans participated and showed more spirit.

This show would take me back to The Novo. I had been there twice before, for the Surf Curse show and Beach Fossils with Turnover. So, I had an idea of how good the show would sound. 

The opener for this show was a band called Bathe Alone. Usually, I am skeptical about openers I haven't heard of before because sometimes the opener just isn't good. But I am more than happy to report that Bathe Alone had a fantastic set, and I am glad that they blew my skepticism away. The band was energetic, and their chemistry just added to that. They were a great opener, and now they have become a band. I want to see them headline a show, and I cannot wait for that day. My only regret was not taking photos.

Last Dinosaurs by Atikis Curiel

After Bathe Alone finished their set, the stagehands started preparing the stage for the Last Dinosaurs. While waiting, the DVD idle screen appeared on the stage. This was one of the most unique things I have seen at a concert. The DVD symbol moves to the corner, and the crowd gets hyped when the DVD is near the corner. There were many moments of "OOOHH" and "aww."

When the DVD symbol hit a corner, the crowd erupted with joy. At the same time, the lights dimmed, and this was the sign that the Last Dinosaurs were about to take the stage. Then, all of a sudden, music starts to play. The song "What Is Love" begins to play, and the band members of Last Dinosaurs start to go on stage, all dressed sharply in grey suits. Given the recent meme trend of that song being played and its famous lyrics, "Baby, don't hurt me," I thought it was hilarious.

Sean Casky of Last Dinosaurs by Atikis Curiel

But shortly after the song ended and the band greeted the audience, they started their set. Man, it was absolutely amazing. The band was energetic, and the crowd work was something I hadn't seen from another band besides Vacations. It was something to behold. Their songs were upbeat and fun and got most of the crowd moving, especially in the middle section of the pit. Near the end of the set, the band said they would perform covers of various songs. I was surprised to find out about what songs they would cover. The first one was from the band The Prodigy, "Breathe." The next were songs like "Mover Your Feet," "Lady (Hear Me Tonight)," and "Music Sounds Better with You." These songs hyped the crowd up; it was a thrilling experience overall.

Nate Delizzotti and Jack Johnson of Vacations by Atikis Curiel

After their set, we waited about five minutes until Vacations came on stage. They were all wearing different color mechanic jumpsuits with their last name in the nametag. That was an interesting contrast to the suits worn by Last Dinosaurs. After they went to their respective spots, they greeted the crowd and started to play.

I cannot get tired of seeing Vacations perform. Seeing them live is something everyone should do. From the energy they bring on stage, the crowd work, and the setlist, it's a perfect first or 100th concert.

Cambell Burnes of Vacations by Atikis Curiel

When performing their famous song "Telephones," the lights went off, and the stage was illuminated by the flashlights of the audience's phones. It was wild how much light was produced from the phones.

For most of the set, the crowd was moving, jumping around, and just being as lively as they could be; it's such a unique thing to share moments such as this with strangers. I shared this experience for this show with a good friend, and funnily enough, it was his first live show.

As the band reached the end of their set, they played one of their newer songs and one of my favorites, "Midwest." This song is amazing, but live, my God, it was terrific. In the last part of the song, after the instrumental bridge, the Bathe Alone and the Last Dinosaurs members came on stage and started dancing around. It was like something from a Hallmark movie, and I loved it. It was a fitting way to end because of how his LA show would be their last of the tour.

Overall rating: S-Tier Show

Check out ALL bands from this show. Too many good tracks to name!

Current Joys and Your AngelAt The Hollywood Vermont: 11/05/23

Nick Rattigan of Current Joys. Photo by Atikis Curiel

The incredible talent of Nick Rattigan of Current Joys seems to have no end. And the show he put on at The Vermont Hollywood demonstrated that.

After releasing his new album, “Love + Pop,” Rattigan announced some shows in the U.S. and some in Europe. And the minute this announcement was made, I made the appropriate preparations to secure my ticket.

I have seen Rattigan once before, back in February of 2022, at the Wiltern Theater. That show was fantastic and electric. Rattigan’s stage presence was immense and full of energy. His overall performance was something to be in awe of. I had never seen anything like it; there was so much passion in all the songs he sang and how he played his guitar. I was not in the pit area but on the balcony for that show, so a bit of the experience was lost, but this show would make up for it, and it did. 

Nick Rattigan. Photo by Atikis Curiel

I was first introduced to Current Joys in 2019 when my little brother showed me the song “New Flesh,” after that, I was immediately hooked and proceeded to binge-stream all his music. My favorite tracks, to name a few, would be “Days of Youth,” “My Nights Are More Beautiful Than Your Days,” and “My Spotless Mind.” Rattigan has an expansive music catalog, so I am sure there is something for you there, especially with his new album, which is slightly different from what most fans are used to. It is safe to say that it is experimental, but it’s a great album and worth a listen, especially if you like Lil Peep.

This would be my first time visiting The Vermont Hollywood, so I didn’t know what to expect. While waiting for the doors to open, a passerby asked me and other concertgoers who we were seeing. He then gave us a short history lesson on the venue. Stating that it used to be a movie theatre with three screens before they renovated it into what it is today.

Once the doors opened, about 8 p.m., I went to the floor and tried to get a good spot to view the show and take some good photos. The venue itself was similar to that of The Wiltern. It was just different in interior design. The overall acoustics of the venue were superb; just from the music being played over the speakers, the sound of the show would be excellent.

Most of the music played while waiting for the show to start was Lil Peep. Rattigan is a massive fan of Peep, and if you listen to “Love + Pop,” you can see the influence of Peep on some of the tracks.

The opener for this show was a woman who goes by the moniker YOUR ANGEL. I hadn’t heard of her before the album “Love + Pop,” which she is featured in, and the tracks she is in are pretty good. So, I was looking forward to her set.  

YOUR ANGEL. Photo by Atikis Curiel

Then, around 9 p.m., YOUR ANGEL came on stage with a sassy walk onto it. Her presence was immediately captivating. Her stride exuded confidence and an “I’m HER” energy. The first song was “Star,” it was a great track to start with and one that already had the crowd getting a bit rowdy. As her set went on, each song was performed beautifully, and her performance of them was just nothing short of amazing.

Around 9:30 p.m., YOUR ANGEL finished her set, and the stagehands started prepping the stage for Rattigan.

YOUR ANGEL. Photo by Atikis Curiel

We didn’t wait too long for the main act to start. At 10 p.m., Rattigan came on stage, followed by his bassist (Henry Dillion) and drummer. The crowd was angsty with anticipation, and waiting for Rattigan to begin, it was felt throughout the entire venue. Then, with one look and nod to his bassist and then to his drummer, the show started with a track from his new album, “My Shadow Life.” The crowd went batshit with the first song. A mosh circle had already formed, and other concertgoers were getting rowdy.

Rattigan played some old songs that I was honestly pleasantly surprised to hear, those songs being “Rambling of a Dying Adolescence” and “Weird Science (Don’t Leave My Arms).”  I lost my shit when I heard “Weird Science,” it is easily one of my favorite Current Joys songs, and to finally listen to it live was an extraordinary experience. Another song that Rattigan performed that has become one of my favorites is a track called “CIGARETTES,” this is another song off his latest album and a heavily Peep-inspired track, but a great one nonetheless.

The experience of being in a pit setting for this show was different from what I had experienced at the 2022 show. The closest thing I can say was similar was the Surf Curse shows I have been to, but Rattigan is also in that band, so it makes sense why there would be similar energies. At one point on the show, I tried to get a photo, but I could not because of how rowdy the crowd was. That was until a fellow concertgoer held me and said, “I got you, bro!” and kept steady enough to capture the picture below.

Rattigan being a beast. Photo by Atikis Curiel

When the encore came on, Rattigan played some fan favorites, and they were performed remarkably. The way he performs, he puts every ounce of passion and spirit into every word sung, every riff, and strum. It is so profound. There isn’t enough I can say about this show and how mind-blowing it was.

Rattigan is genuinely a great musician, artist, and performer. This is an act you MUST see live, and it doesn’t have to be in the pit/floor; you can be on the balcony or in seats. But seeing a Current Joys show is something I recommend everyone do. There is nothing like it; it is such a unique and thrilling experience.

Overall Rating: S-tier show

Recommended Tracks:

• My Nights Are More Beautiful Than Your Days

• Neon Hell

• No Words

• Untitled

• Fear

• My Spotless Mind

Puma Blue and Harvey Dweller: 11/3/23

Jacob Allen aka Puma Blue by Atikis Curiel

Jacob Allen, also known as Puma Blue, is one of today's most talented solo acts. His mixture of contemporary jazz, trip-hop, RNB, indie rock, and soft rock combine to create somber tracks filled with mystique and his gentle yet haunting vocals. All those elements produce a distinctive melancholic sound you cannot find anywhere else.

I first came across Allen's music way back in 2018, funnily enough, after a breakup. It was his EP "Swum Baby" and the song in that EP, "She's Just a Phase," where I fell in love with his music and have been a fan since. Tracks like the one just mentioned and others like "Want Me," "Bruise Cruise," and "Only Trying 2 Tell U" encapsulate his unique sound and his mixture of jazz, RNB, and rock.

I believe it was 2021 when he came to tour for his album "In Praise Of Shadows" (fantastic album), and I could not attend because of my obligations with school work. But this time around, when he released his latest album, "Holy Waters," he announced another tour, and I could attend it this time. His LA show sold out almost immediately, so getting tickets was tough, but I secured one.

Harvey Dweller. Photo by Atikis Curiel

This show took me back to the Echoplex, which I have been to quite a lot this year alone. It was a fitting venue for Allen, from the excellent acoustics that would complement his voice and the music to the dark lighting. I arrived about thirty minutes before the doors opened, and the line was stretched down the sidewalk; the people, like myself, were ready for this show.

The opening act was a man by the name of Harvey Dweller. I had never heard of him before, but if Allen was to have him open, he must be good, and Dweller delivered. He went on at 8 p.m. and started with a projection of what looked like a cat thing, and the lines would move with every sound he made. I thought he would sing, but this opener was a DJ set. A first for me. Dweller was a fantastic set. His sound is like The Prodigy but much grittier and darker, but his songs still have that hardcore breakbeat punch. He was a great fit as an opener for Allen, and I enjoyed his entire set. At one point, he brought out a saxophone and played it along with his beats. That was an excellent touch for the ending of his set.

Puma Blue and his band. Photo by Atikis Curiel

At around 8:45 p.m., Dweller finished, and the stagehands started setting the stage for Allen. The setup was unique. In comparison, other bands would have their drum sets and guitars in the usual places and have no visual appeal besides the lights. Allen placed lamps and rugs along the stage, almost making it feel like a room in a home. The lamps gave off a soft orange hue, like lights you would dim around midnight while sitting alone in a room. I am unsure of the actual meaning, but it was a welcoming change to the stage appearance.

Then, at 9:00 p.m., Allen and his bandmates took to the stage. The crowd erupted. Allen's presence on stage wooed a group of women behind me, and some even gawked at it. Just as soon as they got on stage, they started playing. The first song was "Falling Down" from his newest album.

Puma Blue and Harvy Dweller. Photo by Atikis Curiel

As the show went on, there were technical difficulties regarding the sound in the speaker and the earpieces. There was some radio show coming through the earpieces and the speakers; first, it was prominent and then became faint. It was recurring throughout the show but didn't affect the performance in any way. Allen joked about the whole situation, saying, "I am becoming more knowledgeable as the show continues. My right ear is being fed politics, and my left is social economics."

Throughout the show, you could see the passion Allen and his band shared when performing, from how they played their instruments to how they would drag out some songs and turn them into a jam session. Every mannerism in Allen's face or the bass players and Dweller who were on the keyboard and soundboard. Their chemistry was perfect, and they delivered one of the best shows I have ever seen. I was completely engulfed in the music. The allure it had on the audience was something you had to be there for. Words can do no justice to this experience. Hearing "Want Me," "Bruise Cruise," and "She's Just a Phase" live was unbelievably incredible.

Puma Blue. Photo by Atikis Curiel

Instead of a number ranking (out of 10), I opt for a tier ranking. This show was an S-tier show. Possibly the best I have been to.

Recommended tracks:

• Want Me

• Oil Slick

• Pretty

• Falling Down

• Bruise Cruise

• Only Trying 2 Tell U

Beach Fossils With Turnover: 11/2/23

Beach Fossils at The Novo. Photo by Atikis Curiel

Brooklyn-based band Beach Fossils is a band that has been on my radar since late 2021 after listening to their song "Sleep Apnea." It is a gripping, melancholy, and thought-provoking song, and with that, I instantly became a fan. And I went on a binge-streaming spree on all their music. Then, I would begin a wait for them to announce a tour.

Luckily, that wait ended this year when they announced a couple of months back that they would be doing a North American Tour with a double headliner with a band called Turnover. The tour announcement came after their album "Bunny" was released on June 2nd of this year. Their album is excellent; Beach Fossils stays true to the sound that fans have come to love while always taking some new artistic directions on some tracks, which could be inviting to others who never gave any mind to the band. I definitely would recommend you give it a listen.

 For this show, I was returning to The Novo. It is an excellent venue for a band such as this, from the ambiance to the sound. I was excited to hear the band live. I got there about half an hour before the doors opened to ensure I got an excellent spot to see the show and get good photos.

Turnover at The Novo. Photo by Atikis

When 8 p.m. rolled around, the opening act came on. It was a band called Provoker. The band was different from the type of music I usually listen to. I'm not saying the band was terrible by any means, but I was not a fan of their sound. It is unique, but someone else is the target audience. The lead singer knew how to perform for the crowd. At one point, he went into the pit area, singing and dancing with concertgoers.

When Provoker finished their set around 8:45 p.m. The stagehands started to get the stage ready for Turnover. I had never heard of Turnover before this show, but I was still interested in how they sounded. And when I say I was in for one of the night's biggest surprises, I really was.

Turnover took the stage around 9 o'clock. Before they played anything, a projection screen behind them started to display what looked like artwork with an overlay of the band that looked like an old VHS tape recording. The first song they played was called "Tears of Change" from their latest album, "Myself in the Way." The music reminded me of Pink Floyd's sound, very psychedelic, partnered with the woozy, spacey guitar. After that song, I was locked into their set; each song kept getting better. The fans reciprocated the band's energy, moshing, dancing, and having a great time.

Turnover at The Novo. Photo by Atikis Curiel

I will note that throughout the show, about four people jumped from the floor area to the pit area, and all of them fell on their faces and crawled on all fours into the middle of the pit. One was caught, and one spilled a drink on one of the concertgoers. 

As Turnover's set was nearing an end, the last three songs they played instantly became my favorite tracks from them. Those tracks are "Humming," "Dizzy on the Comedown," and "Take My Head." I cannot recommend this band enough. It was such a fantastic set, and now I must wait until they return to LA. Once their set ended, the stagehands and the band members cleared the stage in preparation for the main act, Beach Fossils.

Lead Singer Dustin Payseur. Photo by Atikis Curiel.

At 9:55 p.m., Beach Fossils took the stage, and the crowd erupted with cheers and yelling, chanting the names and telling the band they loved them. The energy was lively and boisterous. The band started their set with "Don't Fade Away," a popular track from their new album, and that song sent the crowd into a frenzy. The show went on, saying it was electric is not good enough. They had the crowd reeled in, and everyone's focus was on the band and their music.

Near the later part of their set, they performed "Sleep Apnea," the lead singer, Dustin Payseur, asked the venue to cut the lights and for everyone to turn on their flashlights. It was an immersive moment with an emotional song like "Sleep Apnea."

When their set ended, the crowd cheered for one more song for about three minutes, and then the band came back and played their most famous song, "Down the Line," and two more after that.

The show was one of the more memorable ones I have been to. My first double-headlining show, a unique experience but one I could see myself going to again. Overall, Beach Fossils and Turnover put on a fantastic show and cemented me as a fan of theirs.

Beach Fossils at The Novo. Photo by Atikis Curiel

Overall rating: 9.5/10

Recommended Tracks:

Turnover:

• Humming

• Tears of Change

• Supernatural

• Dizzy on the Comedown

Beach Fossils:

• Don’t Fade Away

• Dare Me

• Sleep Apnea

• Seconds

STRFKR With Ruth Radelet: 10/29/23

STRFKR and their astronaut friends. Photo by Atikis Curiel

Trippy, spacey, and indie rock are the exact words I would use to describe STRFKR's music. I first came across them mid-last year as a recommendation from a close friend. The song they recommended is one of STRFKR's most famous songs, "Golden Light." The song itself is fantastic, melodic, relaxing, and, under certain circumstances, trippy.

I saw they would be playing at this year's Just Like Heaven music festival, but unfortunately, I could not attend their set. Then, a couple of months later, I saw a post that they were on tour, and I immediately went to buy a ticket. Their LA show at The Roxy was sold out, but their show at The Pomona Glass House still had some tickets available.

I have never been to the Glass House, so this was a new venue for me and also the farthest I have driven to a venue. From the exterior, the Glass House holds up to its name; glass covers most of the building, but the interior is different. The interior looked like an old high school gym renovated into a place where artists go and perform. Think of the high school dance scene from the movie Grease, but with a stage in a corner, low lighting, and the rest is just open space. I did like the look of it. It is a total change to the venues I am used to.

While waiting for the opener, I conversed with fellow concertgoers about STRFKR and other bands we like and have seen live. That is what makes going to concerts alone a great experience. You meet people with similar interests, many are there by themselves, and you're there to see the same band or person! If that is not a conversation starter, I don't know what. You would be surprised by the amount of people who attend concerts alone. So, I advise people reluctant to go to a show because no one wants to go with them that going alone is better than missing out and regretting it.

Ruth Radelet. Photo by Atikis Curiel

Once 8 p.m. came around, the show started with its opener, Ruth Radelet. I had yet to hear of her prior to the show, but after her set, she gained a new fan. She has such a beautiful voice; her songs were mellow, and a touch of melancholy to some of her tracks. But overall, it was a great opening set. At around 8:50 p.m., she finished her set, and the crew started preparing the stage for STRFKR.

STRFKR. Photo by Atikis Curiel

STRFKR came on at about 9:20 p.m., a little later than usual for the actual show to start, but they must have been busy with something. Their set started with the projectors projecting a trippy video in the stage's background. It looked like something you would see on a psychedelic trip, which was the point of the video and also very fitting with STRFKR and their music. Then, as the video was ending, the band members came on stage and went to their respective instruments. All three frontmen men and the drummer (I could be wrong) had their own synthesizers.

They began the set with the song "Dear Stranger," it was a perfect song to open with, a track that is one of my favorites from them and one I would recommend you check out as the show went on. They brought out two people dressed as astronauts dancing around the stage, interacting with the crowd, and shooting confetti cannons. It was quite the experience, all of that accompanied by light panels on each side of the stage changing colors, dimming, and brightening, and you had the background displaying some trippy art and, at one point, outlines of apples.

Unfortunately, I was not able to stay the entire set. I left near the end, about four songs before they did the encore. Although I didn't see the show in its entirety, from what I experienced, it was terrific; I am glad I could see this band and experience such a unique show. If you still need to check out STRFKR or see them live, this is your sign to do so.

Joshua Hodges of STRFKR. Photo by Atikis Curiel

Overall Rating 9/10

Recommended tracks:

• Golden Light (obviously)

• Dear Stranger

• Always/Never

• Fantasy

• Armatron

• Open Your eyes

Good Morning With Lauren Early: 10/25/23

Stefan and Liam performing “Warned You”

Photo by Atikis Curiel

Good Morning is a duo from Melbourne, Australia, comprised of Stefan Blair and Liam Parsons. Their music is primarily indie rock, with woozy guitars and two soothing voices. They make music for those days when you don’t want to do anything, chill out, or maybe you want to ponder about life.  

I came across Good Morning at the very end of 2020, leading into 2021 with their song ‘On the Street’ after that, I was hooked. I started streaming all their albums and fell in love with their music.  Songs like ‘Wednesday,’ “Warned You,’ and one of their more recent tracks ‘Out to Pasture’ are among some of my favorite songs. So, after listening to them countless times, nearly three years later, I finally caught a show. I could have seen them earlier this year, but there was no way due to my copious schoolwork. But now, when they announced they would be doing a show at The Venice West, I bought my ticket the minute it went on sale.

I arrived at the show relatively early, about ten minutes after the doors had opened. I and another concertgoer were the only people besides the staff there. The venue itself was such a nice place. Many jazz memorabilia are scattered everywhere. An old saxophone was hung above the ‘Staff Only’ door, with posters and vinyl sleeves on the walls. The bar looked like it belonged in a jazz bar. Come to think of it, I wouldn’t doubt if the venue started as one, hence the memorabilia. The ambiance was fitting, given that Good Morning’s music gives a ‘chill vibe.’ At the same time, waiting for the show to start and drinking a beer. I noticed Stefan walking across the bar. I went up to him and told him that I loved his music and was able to get a picture with him. He seemed very genuine and laidback, and after getting my picture, he told me he hoped I would enjoy the show, and I did.

The opening act was Lauren Early. She went on about 8 P.M. Her set was great. She had a prominent energy on stage, and when she performed her songs, her passion was for her music. At times, she had similar sounds to bands like Current Joys and Radio Head, a genre of music I enjoy quite fondly. I can say, without a doubt, that Lauren Early was one of the better openers I have experienced so far, and I look forward to seeing Lauren have a headlining show of her own.

Lauren Early. Photo by Atikis Curiel

Around 8:40 P.M., Lauren finished her set and took her equipment off the stage shortly after. Liam started tuning guitars and setting other things up. Then, at about 9 P.M., Stefan walked on the stage and stood on the opposite sides. They greeted the crowd and started to play.

For the first three songs, they were by themselves. There was banter between them that was funny. You can tell by how they talk to each other that they’re best friends, and the chemistry between them on stage shows through. They performed ‘Warned You’ and ‘On the Street,’ hearing those songs live and in an almost acapella way with just a guitar and a bass. Their voices are so soothing, and just this feeling of calmness washes over you.

Liam setting up for the show. Photo by Atikis Curiel

After those songs, the rest of the band came on stage, and the show continued. Throughout the show, the friendly banter between Stefan and Liam made the crowd laugh, and then on songs, Liam would extend the ending while the other band members would continue to play until he finished. There was not a dull moment whatsoever during this show. The band itself had some of the best chemistry I have seen. There were smiles; they seemed to be having a good time, which translated to how well they played.

Some songs I was happy to hear live were, ‘Boy I’m Just a Loser for Your Love,’ ‘Out to Pasture,’ ‘Oppsie’ and ‘$10.’ Some of their songs have a sort of country element to them. It's like a soft rock with just a dash of country and a mix of blues. It is an exciting combination, but it is harmonious and sounds incredible.

People were already chanting for an encore when the show was near the end. And Liam’s response to this was hilarious, “These last two are the encore.”. They ended the show with the song ‘Country,’ and they exited off the stage, and the crowd started to disperse.

Stefan and Frankie Cosmos. Photo by Atikis Curiel

Overall, the show was terrific, and my expectations were more than met. I walked out with a core memory and a relaxed feeling on my drive back home, listening to Good Morning, of course. If you haven’t heard or listened to Good Morning yet, you should. They’re a band that almost anyone could enjoy listening to.

Overall Rating: 10/10.

Recommended Tracks:

• Wednesday

• Out for Pasture

• Don’t Come Home Today

• Radiovoice

• Queen of Comedy

An Adrenaline-Filled Night at The Novo With Surf Curse: 9/26/23

I have been to thirteen shows and two festivals in the past two years, and by the end of this year, it will be twenty-one shows. I have seen several musicians play. And all of them have been amazing, and I cherish the memories I have of them. So, it is hard to say that out of all those shows, that one tops them all. But after seeing Surf Curse, this was by far the best show I have been to. It is one of those performances that you wish you could see or revisit over and over again. It was a high-octane show, not one dull moment the entire time.

Nick Rattigan of Surf Curse. Photo by Atikis Curiel

Surf Curse is a surf-rock/indie band out of Reno in 2012. The founding members include Nick Rattigan (vocals and drummer) and Jacob Rubeck (vocal and lead guitar). Recently, the pair added two new members to the band: Henry Dillion (bass guitar) and Noah Kholl (guitar).

I first found out about Surf Curse about 2-3 years ago by coming across their song "Goth Babe" on a recommended list on Spotify. Instantly, I streamed their first album, "Buds" (2013). That whole album has songs that you wouldn't want to skip. Some of their most well-known songs, such as "Freaks," "Heathers," and "In My Head Till I'm Dead," are in that album. Each track epitomizes surf rock and rock and roll: fast, loud, and exciting. They would come out with other albums years later that, although diverted from their surf rock start and went more to the indie side of rock, they still stuck true to their beginning, mixing both surf and indie rock in albums. Just a year ago now, they released their newest album, "Magic Hour." and it has some great tracks on it such as "Lost Honor," "TVI," and "Arrow."  

I have seen them once before. It was nearly a year ago, back in December, and it was quite the experience, but it would pale in comparison to this show. Earlier this year, they announced they would tour with fellow rock band Gretta Van Fleet and do their solo gigs. However, Los Angeles was not one of the stops. It wasn't until about a week or two later that a Los Angeles show was announced, and there I went to buy the tickets.

Arriving at The Novo, my best friend and I decided to pregame a little before the show started. After we had done that, we went to wait in line for the doors to open. The line was long and stretched around the corner. Eventually, when the doors opened, the line moved quickly, and in about 10 minutes, we were in the venue. This being my first time at The Novo, it was similar to other venues like the Hollywood Palladium—nice ambiance, space, and acoustics.

The night moved quite fast, and soon, it was 8 p.m., and the opener was about to start. Surf Curse had the band TONER. Although I hadn't known this band before the show, they gained a fan. Their sound is more punk rock-ish, and some surf rock thrown in there. There were multiple parts in their set where I compared them to a punk band I listen to, The Adolescents. Their set was entertaining, and I think the drummer, in particular, was killing it around 8:50 p.m. when TONER finished their set, thanked the crowd, and left the stage.  

From left to right: Jacob Rubeck, Nick Rattigan, Henry Dillon, and Noah Kholl. Photo by Atikis Curiel

Only about ten minutes later, the lights dim, and the finishing touches are being done on stage to ready Surf Curse. A few moments later, the bands walk on stage and go to their respective instruments. Rubeck to a guitar, Rattigan to the drumkit, Dillon to the Bass, and Kholl to the other guitar. The band said their hellos and immediately started their set with "All is Lost." It's a fast-paced song with fast drum beats and the guitar to match. It's the perfect way to get the crowd riled up from the get-go and a personal favorite. When that song started, almost simultaneously, the people around me started moving and moshing.

When the song "Heathers" was played, the crowd went completely wild. There was moshing all around. I was in the one nearest to me. People were going from side to side, up and down, some flinging their bodies and some falling but getting picked back up. One woman fell at least ten times and smiled each time she fell and got picked back up. And once she was back on her feet, she returned to moshing.

Around halfway into the show, a couple of guys around me, myself included, had taken their shirts off because of how hot it got and how much we were sweating. It is safe to say that almost everyone was drenched in sweat. As the show continued, I slipped and fell about 3-4 times but was helped back up each time. Between intermissions, the crowd would pause the rowdiness. There were people I did not know I was standing shoulder to shoulder with, leaning on, and they had their arms on my shoulder and vice-versa. There was this comradery among everyone. Everyone had one goal: to have a great time, and a great time is what we had. 

The entire night was so riveting and filled with so much fun that I cannot stress it enough. The last three songs before the encore were "Freaks," "Sugar," and "Disco," which had an insane effect on the crowd. It was peak adrenaline. Each song represents a different time for Surf Curse: "Freaks" coming from their first album, "Sugar" from their most recent one, and "Disco" coming from a previous one. All sound different, but their core is, in all sense of the word, to rock. Based on my and the crowd's reaction, that is what those songs did, that's what the songs did.

The encore saw Surf Curse play fan-favorite songs like "Goth Babe," which they didn't play the last time I saw them, and "Forever Dumb." After the set was finished, my friend and I left, and while we were walking back to the parking lot. I ended up meeting the lead singer of one of my favorite bands who were at the show. The band he is a part of is Vacations, who will also be playing at The Novo in November, and I will also see (hint, hint).

The night was remarkable, from the show to the people around me. Surf Curse delivered an exhilarating performance and one that will stick with me for the rest of my life. This has been the best show I have been to so far in my life. If you are into Surf Curse even in the slightest, you do not have to be a die-hard fan. See a show and immerse yourself in it. It is a unique experience and energy you cannot find anywhere else. So, check out their music because it's all amazing, and if you could go to one of their shows, you will not regret it; I guarantee it.

From left to right: Jacob Rubeck, Nick Rattigan, Henry Dillon, and Noah Kholl. Photo by Atikis Curiel

Overall Rating: 10/10

Recommended Tracks

• Sugar

• Lost Honor

• All is Lost

• Memory

• Ponyboy

• Midnight Cowboy

Ric Wilson Brings the Funk to His First L.A. Show: 9/20/23

Ric Wilson, giving a toast. Photo by Atikis Curiel

Ric Wilson, also known as “Disco Ric.” is among one of my favorite hip-hop artists in the genre today. Mixing genres such as Hip-hop, soul, funk, house music, and disco, you’re in for a ride when listening to his music. Recently, he came out with a new album titled “Clusterfunk.” And as the title says, it is precisely what you expect it to sound like. It is a great album and one I would highly recommend. So, when I found out he was having his first L.A. heading show, I bought tickets the minute they went on sale.

My introduction to Ric was through a collaborative EP with another one of my favorite artists, Yellow Days, titled “Disco Ric in London Town.” The EP is fantastic. The production quality, the melodies, and the fusion of hip-hop, soul, and funk make all the tracks. My favorite track off that EP is between “Love Bloom” and “PEOPLE TALKING PEOPLE WATCHING.” And then, seeing him open for Yellow Days back in 2021, it was that day where I became a true fan. He performed with so much energy. Interacting with the crowd, making them rowdy and bursting with life, he knew how to woo a crowd. From his two-step to break dancing on stage, it was a performance to behold. So, after almost two years, it was finally time to see him retake the stage at The Echo.

While driving to the venue, I experienced a beautiful sunset slowly falling behind the L.A. skyline. Traffic was minimal, so the drive to the venue was relatively quick. Once we arrived, a good friend and I were the first in line. A definite first for me. When we were let into the venue, we sat down and waited for the opening act. While waiting, I saw Ric pass by but did not stop him in time. Then he came back a second time around, and I was able to take a couple of pictures with him. Off the bat, he came off as a genuinely lovely person, and I was even more excited to see him perform.

Ric Wilson. Photo by Atikis Curiel

The opening act was an artist named YaSi. She came on about 8:20 p.m. She had an incredibly unique voice and also a unique blend of music. She incorporated Middle Eastern instruments into her music, and the sound was fantastic, the soft beat and then some Middle Eastern guitar, a beautiful melody. It was an entertaining set.

Around 9 p.m., YaSi finished her set, thanked the crowd, and told us to make some noise for Ric. Ric’s guitar man, Maxwell, came onto the stage, went to tune his guitar, and stood behind the desk that had a “Ric Wilson” banner. The banner had a man standing with a disco ball as a head, a fitting illustration for Ric. Soon after, Maxwell, another member of Ric’s crew, Charlie, came on stage with a trumpet, and the moment he stood in front of the crowd, he started playing his trumpet and Maxwell began to play a funky rhythm soon after. They ramped things up, the man of the hour bolted on stage, and the crowd went wild. Ric’s presence was ecstatic and felt throughout the room. He started by saying hello, and while there was the beat, guitar rift, and trumpet playing, he asked everyone to raise a fist and say “No racist, no homophobic, no transphobic, “NO BULLSHIT,” and the last line, “NO BULLSHIT” was repeated. It was an excellent way to interact with the crowd and establish what you are about.

Ric Wilson performing. Photo by Atikis Curiel

He started performing, and his grip on the crowd was something to behold. Not one face had anything but a smile, and most people were dancing and enjoying the show he was putting on. One of the many highlights of the show for me was getting to hear some of my favorites from him, such as “Chicago Bae,” and some of his new music, “Pay It No Mind” and “Everyone Moves to LA.” Throughout the show, the interactions with the crowd were enjoyable; he would give a background to certain songs and hype the crowd up. Sometimes, before starting the next song, he would say, “All right!” or “Hell yeah! And the public would repeat that back to him. His interactions reminded me of how the great and late Freddie Mercury would interact with the crowd at his shows.

As the show went on, Ric brought YaSi on stage to perform “Everyone Moves to LA,” it was an excellent and fun performance. Both were having an exciting time on stage and smiling all around. As the show ended, Ric asked the crowd if they knew what a soul train was before he performed his last song. He explained what it was and is: you create two groups and leave a wide gap between them, and once the music plays, you start dancing down a line of the gap. The crowd complied, and Ric began the last song, “Move Like This.” The entire crowd danced down the hole until it became one big group. At the song's end, when it was just an instrument, Ric showed everyone why they call him “Disco Ric” by break dancing on stage.

Ric and his trumpet man Charlie Trumpet. Photo by Atikis Curiel

The show ended once the song finished; Ric said his thanks and walked off stage. The show was nothing short of amazing. Ric had a grip on the crowd and the attention of everyone and delivered an entertaining show and performance. If, by chance, you have the time, have a listen to his music, and I am sure you will find something you’ll love. And the next time he comes to LA, come and dance at the disco.

Recommended Tracks

Love Bloom, Life’s Been Good To Me, Move Like This, Clusterfunk, Don’t Kill The Wave

Overall rating of the show: 9.8/10

Roar with Harmless at The Echoplex

The two solo acts are known as Harmless, and Roar played a sold-out show at the Echoplex. With Harmless opening and Roar being the main act, the night was ensured to be a blast and filled with great music.

Nacho Cano of Harmless

Photo by Atikis Curiel

Harmless is fronted by Nacho Cano and is most well-known for the track "Swing Lynn," as it exploded on multiple social media platforms during the pandemic days of 2020-2021. But besides that track, Harmless has a vast catalog of other terrific songs such as "U Up?", "Mrs. Moody," "Pier Café," and one of his most recent ones and one that I think is one of his greatest ones thus far "It's only you." The music is a mix of various genres, with some songs reminiscent of soft or yacht rock. And some songs have qualities of lo-fi, chill-wave, Hispanic, and a couple more.

Owen Evans of Roar. Photo by Atikis Curiel

Owen Evans is the frontman for Roar. His most well-known track is "I Can't Handle Change," but like Nacho, he has a vast catalog of great music, some going back as early as 2010. Some of these tracks include "Copperfield," "Christmas Kids," and "Poor Grammar," just to name a few. The genre is a mixture of rock at times and majority indie-pop.

 Upon my arrival at the venue, there was a sizable line, and as the minutes passed, it kept getting longer and longer. The line disappeared when the doors opened, and we entered the venue. The lights were dim, it was rather cold, and the music playing was an interesting choice and not one that I would have expected them to play as we all waited for the show to begin. They played oldies with songs from legends such as Breton Wood, Patti Drew, The Penguins, and much more. It was a nice change of music choice, a different genre, but great exposure to great music. While scoping the venue out, I noticed the frontman of Harmless Nacho walking around. Immediately, my first reaction was to approach and ask for a picture, and he agreed without hesitation. It was a pleasant interaction, and he said that tonight's show would be great, and he was right.

Nacho Cano of Harmles. Photo by Atikis Curiel

As soon as it turned 8, the music playing from the speakers ceased. The lights focused on the stage, and Nacho reached the mic in the middle, picked up the guitar, and started playing the first song, "Pier Café." At the same time, his supporting members made their way to their respective instruments. After the song's end, he immediately went into the next, and through his set, he played new songs such as "Rosie" and "As I Lay Chillin." There was a point in their set where he was tuning his guitar while also making some banter with the crowd, and one of the other concertgoers kept yelling out, "Play fucking Free bird!" It was hilarious when the drummer interjected and said, "That song is like fifty fucking years old, haven't you heard enough?" The band and its members' interaction with the audience was fluid and comical. At one point in the set, while tuning their instruments and making banter, the drummer, who had a soundboard and was playing snippets of various meme sounds such as “BUSSSSS!” (iykyk); the crowd and band laughed, and the show went on. During the performance of “U UP?,” Nacho would go up to those closest to him recording and sing to them, and for some, he would take their phone and sing to it. One notable interaction was when a concertgoer bought a Nintendo DS, and Nacho took a selfie with him and the crowd.

Nacho taking a selfie with a Nintendo DS.

Near the end of the set, Harmless played their song "It's Only You." A song dedicated to Nacho's wife and one I have previously said is excellent. "Swing Lynn" was the last song, and the crowd went wild. When the song ended, the drummer threw his sticks into the crowd. The band said their 'thank yous,' and now Roar was next.

Only about five minutes later, Roar came on stage. Owen, the frontman, greeted the crowd and started playing the first song, "Copperfield." And after that song was done, he went into one of his most well-known songs, "Christmas Kids," which, funnily enough, is about Phil Spector and his wife, Ronnie. The crowd was singing every lyric, jumping around, recording, all having the time of their lives. During the middle of the show, one concertgoer may have been too much into the show and passed out from what seemed to be exhaustion. The show immediately stopped, the proper precautions were taken, and the person was right afterward. When Owen went back on stage, he told the crowd that the concertgoer was conscious and functioning. Owen applauded the two concertgoers who caught his attention to let staff know that the man had passed out, and the show continued.

Evans and his drummer Jef Wright

Photo by Atikis Curiel

Another interaction Owen had was after every two or three songs, and he stopped to ask the crowd for various verbs, adjectives, and nouns. Before the last two songs, Owen had created an amalgamation of words to a story that made no sense. I cannot remember what it was, but it was bizarre and hilarious. As the end of the show neared. Roar played their song "I Can't Handle Change." It's a short but great song that hits close to the heart for most, with very few lyrics, counting out the reported lines, and yet there is such a deep allure to it. Their last song, "Flightless Bird," has a similar charm.

A reoccurring emotion(s) that most people, including myself, feel when listening to the songs is nostalgia. We all have varied meanings, but we can all agree that when listening to songs from Roar and some songs, but not all from Harmless, we feel that nostalgic depression. That is why songs like "I Can't Handle Change," Flightless Bird," and "Swing Lynn" appeal to so many. They remind us of a simpler time or describe what we feel now. Maybe some of us can't handle change, and perhaps some experience anxiety so bad that our bodies shake. Whatever the reason it draws you to the songs, it is comforting that these musicians know what we feel. We may not be able to handle the change of getting older, the many obstacles we go through in life, or various other things, but at least we can find comfort in the music given to us by Roar and Harmless so that we may endure a bit longer.

The band finishing their set with the song “Flightless Bird”

Track Recommendations

Harmless:

Como Somos, Painfully Obvious, Mrs. Moody, Linda, and Notice Me.

Roar:

Demon Ghost Cave, The Vulture and the Void, Flightless Bird, The Comfort of a Laugh Track, and Heart for Brains.

Overall rating of the show: 9.8

Peter Cat Recording Co at The Echo: 05/22/23

The marquee at The Echo

Peter Cat Recording Co. is a rare gem of sound. Coming out of Delhi, India, the band fuses genres such as alternative and gypsy jazz, a unique combination executed beautifully by the band. My introduction to this band was about a year ago on my birthday, and my good friend Robbie put on their track “Floated By.” The song hypnotizes from the starting boom of the trumpets to the alternative/gypsy sound that is heard throughout the song, which makes you feel tranquil. I was hooked the next day I streamed their most recent album, “Bismillah.” Every track was one you would not skip; the melodies and the sounds coming from each of them were different and harmonic. The fusion of ballroom waltz, alternative, gypsy jazz, and even cabaret are unexpected but harmonious combinations. I knew I would be at their first show in LA when they would finally do an American tour. And sure enough, in January of 2023, they announced their American tour and dates. Originally, LA was going to be one show, but they sold out so fast that they added not a second but a fifth show. The first two were at The Echoplex in Echo Park, and the remaining three at the Hollywood Forever Cemetery lodge.

Lead singer Suryakant Sawhney. Photo by Atikis Curiel

The Echoplex was the perfect venue for their show—compact and excellent acoustics for the sound that was to be made by the band. Upon my arrival, I arrived about 45 minutes early to ensure that I would get a good view of the band and be as close as possible to the stage since it was standing general admission tickets. The line was not too bad, and when the doors finally opened, the line soon dissipated. The lighting inside was dim and hazy. Only one sound was played on the speakers, a repeating track. It was peaceful, like something you play while meditating in a zen garden. There was talk all over, people excited to finally see the band live; some even stated they had waited three or more years for this moment. Talking to some of the other concertgoers, we shared our excitement to see the band perform, and then the lights dimmed, more smoke was released, and the band started coming out one by one. And the other concertgoers stood shoulder to shoulder for the rest of the show, dancing and singing.

Peter Cat Recording Co. Photo taken by Atikis Curiel

Their first song, “Bebe de Vyah,” was the repeating sound from the beginning, a smooth transition reoccurring throughout the night. The show was ecstatic; each song was performed beautifully, and the voice of lead singer Suryakant Sawhney was hypnotic, with some in the crowd comparing his deep yet mellow voice to that of Frank Sinatra. His voice shinned through in tracks “Floated by,” “We’re Getting Married,” and the fan favorite “Memory Box”. The crowd loved every second of it, and so did I, locking arms with people I had barely known for about two hours at the point of singing the lyrics of each song and dancing as if we were childhood friends. The pure ecstasy from the experience left everyone joyful, and this was only increased when the band went quiet for a good minute and then started the track “Memory Box,” undisputedly their most famous song. A mix of gypsy jazz, alternative, and even funky disco, a cocktail of genres that never collide put into a body-moving track. Closing the show with an encore, Peter Cat Recording Co. played a song that came as a surprise to most fans due to it not being on any streaming apps, “We’re Getting Married.” It is a beautiful love song from beginning to end, most likely an homage to his wife. It is a great track to end, sealing up the music-filled night of dancing and singing to a more mellow sound, leaving the crowd more than satisfied with the show.

Peter Cat Recording Co.

Peter Cat Recording Co. is a band that brings strangers together and forms momentary or long-lasting friendships. Suppose you have yet to listen to any of their music. I think you should do that; you won't be disappointed and engulfed in the incredible sound they produce.

Recommended Tracks:

1. Portrait of Timer

2. Heera

3. Shit I’m Dreaming

4. Happiness

5. Love Demons

Overall rating of the show: 10/10.